Thursday, October 28, 2010

North Jersey Average Cost For Wedding Flowers

L'Architettura Eco-sostenibile rispetta davvero l'Ambiente e l'Uomo?




...è tempo di zucche, e ne ho trovate alcune originali,



Questo è un mio omaggio alla zucca, con etichetta Pantone 021C





These pumpkins are instead Alessandro Amato artist who made the original lamps. Shell carving of pumpkins was able to obtain special effects inserted a light inside. The artist uses pumpkins
the family Cucurbitaceae, which have the characteristic of being very hard after being dried for 2-3 months, thus making wood also lend themselves better to the process.


designer Laurel Young has indulged in proposing the pumpkins on its cups, two colors, black and orange, showing both inside and outside designs.







These photos show the artist farmer Robin Upton, who lives in southern England, has inherited his father's passion grow 50 different kinds of pumpkins, which have on their land, and also has another passion, composing drawings with pumpkins as if they were huge mosaics, each year participate in the pumpkin festival which is celebrated in Sussex.

Photo-Reuters-



And finally we also have a pumpkin-bag Dona and
hats shaped pumpkin Leigh-Anne .
Photo-Visions-





And with this post I wish you a happy All Saints Day and Halloween fun.





Homemade Alice And Wonderland Costume

Un batterio che trasforma la sabbia creando strutture nel deserto...



few days ago, the blog has come to a thousand visitors!

Saturday, October 23, 2010

Most Comfortable Sofa Cushion Filling

Un arredo con materiali da riciclo...




A Design Biodegradable? Yes, that is decomposing objects that can easily be absorbed by the ecosystem.
An object is biodegradable if there are bacteria that can attack, the stimulating process di decomposizione ed estraendo da esso gli enzimi necessari allo scopo.
Attualmente si sta cercando sempre più di sostituire la plastica con materiali biodegradabili.
Ecco alcuni esempi di designer che si stanno proponendo in questo ambito.







Questi recipienti insoliti sono stati creati dalla designer olandese Geke Wouters , che ha avuto l'idea di utilizzare delle verdure essiccate per realizzare piatti, ciotole e bicchieri.
Le verdure una volta essiccate sono pressate per essere convertite in strati sottili che la designer modellerà creando vari oggetti.
Essendo puramente naturali hanno però l'inconveniente to deteriorate, but not for this can not be used in place of many food and non-recyclable paper cups.





Fellowships Kusha company Kanazu Sen-i were made with plant materials, and therefore completely biodegradable corn fibers such as cotton yarns and natural. They can be wrinkled and shriveled to be stored in cabinets with limited space.




Set "Organic Bars" by Pandora design was created with Mater-Bi, a compound derived from corn.
Completely biodegradable, and a craft construction, the set consists of 4 glasses Sunglass, Moscardino forks, plates and toothpicks 2Spin Tapas.
Designers Daniel Fintzi, Matteo Ragni and Julius Iacchetti they were the originators under the YOOXYGEN which opened in 2009 during the Earth Day






Even mobile phones can be biodegradable , we thought the Samsung with "complaint", made from bio-plastics and recycled materials, polymers derived from corn.
Even the packaging is biodegradable, made from recycled paper and soy-based inks.





Originali e biodegradabili sono anche questi piatti e stoviglie del designer giapponese Nobuhiko Arika, del tutto commestibili perché fatti con un impasto di biscotti. Un'idea appetibile con un solo inconveniente, il fatto che non si possono utilizzare con zuppe e brodi caldi.





Il set da party della designer Wasara , è un set elegante e leggero che può sostituire i classici piatti di plastica. Realizzati in polpa di canna da zucchero e bambù sono assolutamente biodegradabili.



Ed infine il cestino di carta Fabriano. Un simple but effective concept, the paper also contains a basket of paper to throw away. In this way, the basket becomes a bag to throw away, recycle it with the card inside.



are so many designers are proposing that in recent years more and more items made from biodegradable materials, and increasingly they are studying waste vegetable fiber to reduce the impact of pollution on the ecosystem and replace classic materials with eco-friendly materials.
This has one disadvantage: the prices of production. Most of these objects has a substantial cost for the time being, we therefore hope to raise awareness on the part of companies for the production of these commodities.

Friday, October 22, 2010

Freezing Food In Plastic Carcinogens

Foursquare and good causes


foursquare I'm going to talk about on this blog and do it for what I consider a valid reason.
Just the other day I found out foursquare It has been created on a venue (one page, for non-addicted 4SQ) called "free wi-fi in Italy, location-aware at the Parliament in Rome.
E 'of the last day the last attempt to change the Pisanu decree which makes it very difficult to spread of wi-fi reception. The reasoning behind the decree and 'tied to issues of security and terrorism ... but it' s well known that in Europe the spread of wi-fi and open 'to 5 times higher than in Italy. Not to mention Israel. A country that the problems of terrorism has certainly more than we do. A country where, unlike Italy, the security systems are not based on "repression" of the network (in our bureaucracy does everything to put a spoke in the wheel who would like to open networks).
Well, someone (Luca Alagna) and we 'invented a way, in my opinion, alternative and creative people to express their desire to change the Pisanu Law. By checking up foursquare on "free wi-fi in Italy" you can 'automatically send an email to all your contacts foursquare and you can share the initiative is on twitter and on facebok.
It does not matter if I check in saying that I am in Rome before the Parlamaneto, when in fact they are in Milan, Palermo and Japan. E 'for a good cause!
Perhaps someone will say that this is' wrong. But I, who at this moment I write with my iPad live from SMAU, I think it is more wrong that this decree still continue to hinder the development potential of many small ICT reality I'm seeing here. Do not be offended anyone, but I think that only technological innovation could pull the development and recovery after a crisis.
Without broadband access is not going anywhere. I continue to say and write all. But who could change things did not 'have done.
Who knows, maybe (maybe really!) Parliamentary some (but not only) will check in by area of \u200b\u200bthe Parliament and also discover the existence of this initiative. A sort of "petition to be signed" in the advanced version, version of social. Maybe will help a little, but surely help to ensure that people like me do critical mass.
What are you waiting now? Go and check in!

Wednesday, October 13, 2010

Sore Spot On Soft Palate After A Sore Throat

Design for All I Details make the difference. Always. Spam on



After almost two months back to write on this blog. And I get to write about what mainly inspired me to create this space: the design.
Last week in Milan was the ' Innovation Festival and I could never even miss the appointment because, among other forms of innovation are present, not could be lacking that applied to the design.

What has always fascinated me the design has always been its ability to make beautiful and easy to any object. To everyone, not just the 'average man. "
Well, the meeting "In praise of diversity " I did remind the audience that many design is not only one with exorbitant prices that you see in Milan near Brera and Corso Monforte, is what can make life better everyone, without distinction, even with a touch of aesthetic beauty.

" Design for All can turn diversity into an asset " was the subtitle of the meeting and one of objects that has captivated those present for his ability to see diversity as a resource has a handle.

Yes, just a handle.
Who has the ball for the design knows the details, even the most seemingly insignificant, to make a difference. Always.
Well, the handle LEONARDO (by Fabrizio Bianchetti - Ghidini design) has an unusual shape, stretched, that does not go unnoticed. And this makes it perfectly usable by any user (the design must be for all, no?), By a child, an adult, a senior, a man standing, as well as by a man in a wheelchair.
We are accustomed to, unfortunately, a distinguere ciò che è "comodo" per noi e ciò che deve essere usato per chi ha una diversità (come una persona in sedia a rotelle).
Ma ci siamo mai chiesti quanto a queste persone piaccia che non si perda occasione per farli sentire dei diversi? L'esempio della maniglia spiega perfettamente quello che cerco di dire.
Normalmente le porte hanno la maniglia collocata a 105 cm da terra. La normativa DM 236/89 attualmente vigente in tema di accessibilità prevede che le maniglie delle porte siano collocate ad un'altezza di 90 cm da terra.
La maniglia Leonardo ha una forma allungata che le permette di essere collocata tra i 90 e i 105 cm e in questo modo può essere utilizzata da chiunque, anche da persone con prehensility problems.

This handle is also a detail that really enhances the object-door .. who is that is generally the case with a normal handle on a door? Hardly anyone (except me being a pathological case for the design ..). Instead, the design simple, elegant and sinuous lines of the project LEONARDO brings innovation to the delicate, but more and more present, the issue of accessibility, eliminating any kind of barrier, psychological, linked to diversity.

I know this is not a subject to which we often think. But I think it is imperative to give voice to the need for everyone, not just those of the mass.
And then I like to handle this a lot!

Long live the design, especially created to improve life, not just to be looked at lightly.

Special Mention in this post to Roberto Vitali, president of Village For All (sustainable tourism). If you happen to pass by here, congratulations for the great action!

Friday, October 8, 2010

Brazilian Waxing Torrevieja

Ciotole dai tronchi d'albero...

In recent years we see more and more projects that relate to wine cellars with its museums and companies. These architectures of wine, or as they are called "cathedrals of wine", most often are constructed as underground structures, a bit 'to preserve the quality of wines, thus reflecting the old and traditional wineries, too, a bit' to try to blend in a context like that of the vineyards, which is always a work of man since ancient times by the fascinating landscape point of view.



-Marchesi Antinori winery, designed by archaea Ass ociati , si inserisce perfettamente nel luogo, un'area del Chianti tra Firenze e Siena, lasciando visibili solo due tagli orizzontali che si sviluppano lungo le curve di livello ricoperte da vigneti che racchiudono gli altri cinque piani sottoterra.
Dalle fenditure orizzontali si può vedere l'interno ipogeo: in quella superiore vi sono le zone per l'imbottigliamento e quelle dei magazzini, in quella inferiore gli uffici che si affacciano sul luogo.


Nella sezione interrata, costituita da volte in terracotta, si conservano i vini, una scelta legata alle condizioni termo-igrometriche che bisogna rispettare per una corretta conservazione del prodotto.
Le volte cambiano their height according to the production process, the location that the grapes are from the barrel fermentation underground silos.

Visitors Instead, starting from the underground cellars, comes to the places of production and exhibition where you can find the mill, a library, a tasting area, and the other groups who receive it.
As you can see, a winery that complies with both the project and with the materials used in the natural environment of the place, and traditional techniques.





Different approach was made at the winery Tramin Werner Tscholl Termeno in South Tyrol, where the outside, clearly visible, seems to draw the lattice of the vineyards like many branches that are intertwined.
The project was carried out on the original store and did not lose any ground to the vineyards, this was a plus for the selection of the project.

existing building will stretch from the two bodies of the new project hosting the wine cellar and tasting room, and from these areas, the visitor has a privileged panoramic view over the vineyards.





winery Weingut Manincor architect Walter Angonese among the rolling hills of Lake Caldaro, Alto Adige, is also an example of underground architecture, almost Invisible among the vineyards, which respects the spirit of the place.



The winery, built in a vineyard east of the original complex, is now joined to it naturally. In it, the conditioning is done through the walls and through openings created specifically for the exchange of air. The cement used for the underground areas has a color that recalls the lime plaster walls of the vineyards, and give an oxidized steel with an antique flavor to the whole project. The architect himself stresses the fact that he was inspired by the idea that design is "to build in continuity."



and concludes with the in Cascina Adelaide Barolo, the architect Ugo Della Piana. The structure consists of an artificial mound that contains the underground cellars, also a project that blends in the context of the vineyards.



The various structural parts made of glass and steel mimic the natural elements of the place, the basement area is largely surrounded by glass, so that the visitor, once entered, can observe 'outside and still feel surrounded by nature.


Virtually increasingly seen to be born in Italy these cellars copyright. I wanted to bring back those that seemed to adhere more closely to the context, in relation to others, although signatures of famous, not naturally fit in our own vineyards.
Many are the copyright wineries that have sprung up in recent years in different countries, but I preferred to leave only a trace of our architecture.